When I write a short story, I see it as a film. There are scenes, locations, changes of perspective, wide shots, and close-ups. (When I edit a short story, my edits often involve sharpening a scene, modifying the sound or lighting, or changing the perspective from which the story/film is told/shot.)
If I do it right, I assume a reader will see in their mind something close to what I’ve seen in mine.
I’ve never asked anyone to draw a picture of what they saw while reading one of my stories, but Space and Time magazine did. They asked artist Anthony R. Rhodes to illustrate “The Hum of the Wheel, the Clack of the Loom.” It’s a story with a high fantasy setting but one that makes reference to contemporary social issues.
When I saw the illustration, I gasped. It was exactly what I’d envisioned, complete with a perspective that centers on the protagonist as he views a puzzling and disturbing conflict. The illustration even captures my fantastical beasts, the sofhars, exactly as I’d imagined them.
Rhodes was generous enough to post the illustration on his website for everyone to enjoy. His accompanying blog post talks about the processes he used to develop the black-and-white illustration, including inspiration drawn from my Scandinavian heritage, the work of Swedish illustrator John Bauer, and Rhodes’ own fascination with Iceland.
You can find the story, and the illustration, in Space and Time #140.